It is Chez Fabrice a Bruxxelles. It is a great work from Franco and Le TPOK Jazz. It was released in 1983. This album is a important for three reasons.
1) Some notable OKJ singers left. I mean Ndombe Opetum, Djo Mpoyi, Diatho Lukoki and Wuta Mayi. Wuta Mayi would go to form a band with Nyboma called 4 Etoiles. Djo Mpoyi would go to do some solo adventure and do some songs with Diatho of a side band Tiers Monde. Ndombe would form Tiers Cooperation with Sam Mangwana before Diatho and Djo would join Ndombe on that band after Sam went for another adventure.
2) Franco rediscovered a passion in making duets with the song Non.
3) It was beginning of the star of Madilu System.
This album was where Madilu System would finally breakthrough after years of having no luck with end of Bakuba Mayopi. But on this song, Madilu restarted his stardom and fans of OKJ began to notice him. They enjoyed his voice a lot. When you listen to Non, you notice it sounds a little different from his usual style. Well it was designed that way. If Franco had it his way, no way Madilu would have sung this song. In fact he made this song for another individual. Who was it? Josky Kiambukuta. Wait? JOSKY, Really? Yes. Well according to Madilu anyway. He claimed that he wanted this song to be for Josky. Very interesting but then again Josky was nicknamed Djosex for love songs. After all, Josky was Franco's favorite singer for a long time. He often selected Josky to sing in his songs. I mean Josky even co-sang lead Franco's TOKOMA BACAMARADE. So I can see why Franco wanted Josky. But Josky surprisingly refused. Also, he did not look for Ntesa Dalienst which is shocking considering that Ntesa and Franco had a great complimentary sound together. Franco was apparently mad because he could not get a singer. Funny enough, Madilu said Franco even wanted Nyboma and Wuta Mayi who then formed 4 Etoiles as I mentioned before with Syran Mbenza and Bopol. Then, Madilu said that he sung a little vocal but Franco wanted Tabu Ley but thanks to Franco's wife, the song officially went to Madilu as Franco's duet partner. You know the rest is history for the beginning of Madilu's reign on OKJ after 1983.
Also comes the good harmony of Josky Kiambukuta, Madilu System and Ntesa Dalienst. It would be showed on the songs Freins a main (handbrake) and Second Version of Fabrice which is known as 5 Ans Ya Fabrice (5 years of Fabric). These songs also showed Franco's ability to give storytelling while singing at the same time. I saw the great emotion and passion of Josky, Madilu and Ntesa in the choirs. This showed how good Franco was at assembling great singers together. He did once with Josky, Ndombe and Ntesa or Josky, Pepe Ndombe and Youlou Mabiala or Diatho Lukoki, Josky and Ntesa. This one was no exception. Franco was a great musical genius not only on guitar but also getting great singers in order to great harmony for all OKJ fans to enjoy.
Another part of Madilu's rise into OKJ had a part of another individual who people often compare Madilu to. Well vocally speaking anyway. Also this man really was loved by Franco. I am speaking about Pepe Kalle. Pepe Kalle was a big star in Congo at the time and he was impressing big stars. While Franco pretended to be scared of Zaiko Langa Langa, in reality he feared Pepe Kalle much more that he attempted to actually get him into OKJ. But the problem was that Pepe Kalle wanted to be his own man and respectfully declined to join OK Jazz. Franco was very angry about this that he was determined to find a "Pepe Kalle" prototype. He would get his wish after finding Madilu and getting success with him on the song Non. Madilu's star rose as Pepe Kalle started to make noise around the periods of 1985 to 1988. Franco and Pepe Kalle found that they had a lot of things in common. Papy Tex had remarked that Franco and Pepe Kalle would do some games together while Papy Tex would not want to participate. Also Franco preferred Empire Bakuba over Zaiko Langa Langa behind the scenes. THAT IS THE TRUTH. According to Papy Tex, Franco was a important partner to Empire Bakuba and he did a lot for them to get more access.
That leads to my series that I am going to do? Should Pepe Kalle have joined OK Jazz? That is a tough question. Yes and No. It is really 50 and 50. I did often say that Dr. Nico should have joined Franco (and I insist on it today) because Franco could handle anyone. I am sure Franco could have managed Pepe Kalle very well.
I will give two sides of the coin. Seven reasons why Pepe Kalle should not have joined OK Jazz and Seven reasons why Pepe Kalle should have joined OK Jazz.
No comments:
Post a Comment