Pourquoi Pepe Kalle avait raison pour ne joindre pas L'OK Jazz du Grand Maître Franco?

 

Bonjour à tous. J'espère que vous allez bien. Je vais faire deux postes de la polémique. La polémique dans le bon sens. Je faisais deux postes du Grand Maître Franco contre Géantafrique Pepe Kalle. Je vais parler de Pepe Kalle comme un emploi du Grand Maître Franco. Je l'ai dit. Ce n'est pas ma pensée mais il y a des gens qui pensent que Pepe Kalle serait mieux sous la direction d'un autre artiste.

Ce cas sera sur pourquoi Pepe Kalle avait raison pour ne joindre pas L'OK Jazz du Grand Maître Franco?

Je vais vous donner sept raisons lesquelles Pepe Kalle a fait du choix correct ne joindre pas Le TPOK Jazz de Franco. 

1)  Papy Tex serait seul ou sera allé jouer pour un autre orchestre. 

2) Pepe Kalle would have only done nzonzings with Papy Tex. Pepe Kalle aurait fait des nzonzings avec son ami d'enfance Papy Tex seulement. 

3) Probablement, Madilu n'aurait jamais été un membre de L'OK Jazz.

4) Pepe Kalle avait déjà un orchestre qui fonctionnait très bien dans la scène musicale Congolaise. 

5) Franco n'avait jamais besoin instamment de l'individu comme Pepe Kalle. 

6) Un plus grand conflit aurait fait entre Franco et Verckys 

7) Pepe Kalle avait son destin propre comme une grande étoile. 

La raison finale est plus important laquelle je peux dire que Pepe Kalle avait raison pour ne joindre pas L'OK Jazz du Grand Maître Franco. Dans mon point de vue, Pepe Kalle avait son destin propre comme une grande étoile. Pepe Kalle un destin pour diriger son orchestre propre. En plus, il avait son ami d'enfance s'appelle Papy Tex et plus tard, il trouvait un autre ami Dilu Dilumona. 

Pépé Kalle était quelqu'un qui avait le vedattariat du minute qu'il est venu dedans la scène musicale. Il est venu de l'école du Grand Kalle mais il a préparé clairement pour faire son marque propre comme un chanteur. Après tout, il a déjà fait un orchestre qui avait popularité énorme dans la scène musicale Kinoise (Africa Choc) avec son ami d'enfance Papy Tex. Aditionellement, Pépé Kalle était déjà dans son chemin pour travailler avec les individus comme Seskain Molenga avant la préparation de son orchestre officiel L'Empire Bakuba. Finalement, Pepe Kalle avait beaucoup de confiance que j'ai parlé déjà avant. Cette confiance le traversait partout sa carrière dans les bons temps et les mauvais temps. 

Aussi, probablement il y aurait un grand plus conflit entre Franco et Verckys. Parce que je sais bien que Verckys et Franco refuseraient entrer une meme une même chambre. 

Finalement, Franco n'avait pas besoin réellement de Pepe Kalle. Il avait déjà des chanteurs comme Josky Kiambukuta, Ntesa Dalienst et Ndombe Opetum. Ces chanteurs étaient solide pour chanter des chansons dans le style de Franco. Franco était une légende prochaine. Franco faisait des chansons classiques avec beaucoup de chanteurs. Franco était dans le chemin pour devenir un des grands du tout le temps. Franco changeait déjà sa musique en plus du style musical de l'África Jazz. Ça va dire la musique du style musical de L'Africa Fiesta. 

Est-ce que vous êtes d'accord ou désaccord? 

Why Pepe Kalle was right not joining OK Jazz of Franco?

 

Hello everyone. I hope you are well. I am doing a controversial post. I mean two. It is about Franco and Pepe Kalle. I did posts of Franco vs Pepe Kalle. This time I will speak on Pepe Kalle being a employee of Franco. I said that. Well I don't think that  but there are people that say that Pepe Kalle would have been better under someone else. There are some who say that Pepe Kalle would have better been with Franco and there are some who say that Pepe Kalle was good on his own. 

This case will be about on why Pepe Kalle was right not joining OK Jazz of Franco? 

I will give you seven reasons why Pepe Kalle made the right choice not joining Franco's Le TPOK Jazz.

1)  Papy Tex would be on his own or have to play for another band. 

2) Pepe Kalle would have only done nzonzings with Papy Tex. 

3) Madilu probably would have never been in OK Jazz. 

4) Pepe Kalle already had a band that was doing very good in the Congolese Music Scene.

5) Franco was not in urgent need of a individual like Pepe Kalle.

6) Franco and Verckys would have a bigger conflict. 

7) Pepe Kalle was meant to be his own star. 

Final reason is the most important why. In my view, Pepe Kalle was born to be his own star. He was meant to lead a band. In addition, he had his childhood friend Papy Tex and later on with another friend Dilu Dilumona. 

Pepe Kalle was someone who was a superstar from the minute he came into the music scene. He was from Grand Kalle school but he was clearly set to make his own mark as a singer. After all, he already had a group that was pretty popular at the local Kinshasa music scene (Africa Choc) with his childhood friend Papy Tex. In addition, Pepe Kalle was on his way to work with individuals like Seskain Molenga before preparing for an official band called Empire Bakuba. Finally, Pepe Kalle was a very confident which I spoke before. This confidence helped him keep his career going with the good and the bad times. 

Also, perhaps there would have been a bigger conflict between Franco and Verckys. Because I am sure Verckys and Franco would not even want to be in the same room. 

Finally, Franco did not really need Pepe Kalle. He already had likes of Josky Kiambukuta, Ntesa Dalienst, and Ndombe Opetum. Those singers were solid to sing on Franco style songs. Franco was a legend in making. Franco made great classic songs with different kind of singers. Franco was on his way to become one of the all time greats. Franco already changed his music to more African Jazz style music. In other words, "Africa Fiesta Style of Music". 

Do you agree or disagree? 

Franco- FABRICE (1983)

 

Hello everyone. I want to do a post on this classic work. 

It is Chez Fabrice a Bruxxelles. It is a great work from Franco and Le TPOK Jazz. It was released in 1983. This album is a important for three reasons.

1) Some notable OKJ singers left. I mean Ndombe Opetum, Djo Mpoyi, Diatho Lukoki and Wuta Mayi. Wuta Mayi would go to form a band with Nyboma called 4 Etoiles. Djo Mpoyi would go to do some solo adventure and do some songs with Diatho of a side band Tiers Monde. Ndombe would form Tiers Cooperation with Sam Mangwana before Diatho and Djo would join Ndombe on that band after Sam went for another adventure. 

2) Franco rediscovered a passion in making duets with the song Non. 

3) It was beginning of the star of Madilu System.

This album was where Madilu System would finally breakthrough after years of having no luck with end of Bakuba Mayopi. But on this song, Madilu restarted his stardom and fans of OKJ began to notice him. They enjoyed his voice a lot. When you listen to Non, you notice it sounds a little different from his usual style. Well it was designed that way. If Franco had it his way, no way Madilu would have sung this song. In fact he made this song for another individual. Who was it? Josky Kiambukuta. Wait? JOSKY, Really? Yes. Well according to Madilu anyway. He claimed that he wanted this song to be for Josky. Very interesting but then again Josky was nicknamed Djosex for love songs. After all, Josky was Franco's favorite singer for a long time. He often selected Josky to sing in his songs. I mean Josky even co-sang lead Franco's TOKOMA BACAMARADE. So I can see why Franco wanted Josky. But Josky surprisingly refused. Also, he did not look for Ntesa Dalienst which is shocking considering that Ntesa and Franco had a great complimentary sound together. Franco was apparently mad because he could not get a singer. Funny enough, Madilu said Franco even wanted Nyboma and Wuta Mayi who then formed 4 Etoiles as I mentioned before with Syran Mbenza and Bopol. Then, Madilu said that he sung a little vocal but Franco wanted Tabu Ley but thanks to Franco's wife, the song officially went to Madilu as Franco's duet partner. You know the rest is history for the beginning of Madilu's reign on OKJ after 1983.

Also comes the good harmony of Josky Kiambukuta, Madilu System and Ntesa Dalienst. It would be showed on the songs Freins a main (handbrake) and Second Version of Fabrice which is known as 5 Ans Ya Fabrice (5 years of Fabric). These songs also showed Franco's ability to give storytelling while singing at the same time. I saw the great emotion and passion of Josky, Madilu and Ntesa in the choirs. This showed how good Franco was at assembling great singers together. He did once with Josky, Ndombe and Ntesa or Josky, Pepe Ndombe and Youlou Mabiala or Diatho Lukoki, Josky and Ntesa. This one was no exception. Franco was a great musical genius not only on guitar but also getting great singers in order to great harmony for all OKJ fans to enjoy.  

Another part of Madilu's rise into OKJ had a part of another individual who people often compare Madilu to. Well vocally speaking anyway. Also this man really was loved by Franco. I am speaking about Pepe Kalle. Pepe Kalle was a big star in Congo at the time and he was impressing big stars. While Franco pretended to be scared of Zaiko Langa Langa, in reality he feared Pepe Kalle much more that he attempted to actually get him into OKJ. But the problem was that Pepe Kalle wanted to be his own man and respectfully declined to join OK Jazz. Franco was very angry about this that he was determined to find a "Pepe Kalle" prototype. He would get his wish after finding Madilu and getting success with him on the song Non. Madilu's star rose as Pepe Kalle started to make noise around the periods of 1985 to 1988. Franco and Pepe Kalle found that they had a lot of things in common. Papy Tex had remarked that Franco and Pepe Kalle would do some games together while Papy Tex would not want to participate. Also Franco preferred Empire Bakuba over Zaiko Langa Langa behind the scenes. THAT IS THE TRUTH. According to Papy Tex, Franco was a important partner to Empire Bakuba and he did a lot for them to get more access. 

That leads to my series that I am going to do? Should Pepe Kalle have joined OK Jazz? That is a tough question. Yes and No. It is really 50 and 50. I did often say that Dr. Nico should have joined Franco (and I insist on it today) because Franco could handle anyone. I am sure Franco could have managed Pepe Kalle very well. 

I will give two sides of the coin. Seven reasons why Pepe Kalle should not have joined OK Jazz and Seven reasons why Pepe Kalle should have joined OK Jazz. 

Dream Duet: Josky Kiambukuta and Papy Tex (JOSKY TRIBUTE)

This is Josky tribute time. We lost a great singer who was sick but not sick enough where he was near it. So we will do a Dream Duet edition in tribute to Josky. This singer was among the co-founders of Empire Bakuba. 

Ces chanteurs faisaient beaucoup de chansons romantiques pour nous. Il faut que nous aimons leurs chansons romantiques tous les jours. Avec ces hommes et leurs chansons amoureuses, nous trouverons l'espoir en amour. Cet homme serait un individu bien-fait pour la musique de Josky Kiambukuta Djo Sex Le Commandant D'Abord. Mais c'est qui? 

I am speaking of Jean Dode Matolu better known as Papy Tex. He is known as a great friend and a great music collaborator of Pepe Kalle. Unlike Pepe Kalle, Papy Tex was very good with making sweet love songs. Something Josky was also very good at. No wonder why he was called Djo Sex. I wonder why Papy Tex was not called something closed to that. Anyway, Josky and Papy Tex were very good at pleasing women and making them wonder about their love lives. That is when you know  that you are good with romance in music. 

One big reason why Josky and Papy Tex should have worked together is because they are from the same Tabu Ley school. Their vocal tones are somewhat identical in a sense where they are emotional but also romantic which is why many ladies loved them. That was something Tabu Ley was very good at. Their ability to be emotional but yet romantic at the same time helped them become valuable singers. 

I got ten songs that I will select for you. 

Papy Tex: Welcome 

Papy Tex: Yawe 

Papy Tex: Aideu Leya 

Josky: Aziza 

Josky: Maby 

Josky: Monzo 

Josky: Spiritus Santus 

Josky: Mehida 

Tabu Ley: Ponce Pilate 

Grand Kalle: Coco qui est la 

These songs would have been very good for Josky and Papy Tex. I think the songs that would that be the best to do is Papy Tex's Aideu Leya, Josky's Mehida and Grand Kalle's Coco qui est la. These songs would have shown the beautiful harmonies between Josky and Papy Tex. Papy Tex is from Grand Kalle music of singing. Josky is a product of Africa Jazz vis a vis of Africa Fiesta style of singing. Aideu Leya would work because Josky is good at giving emotions in a song and this song is very personal from Papy Tex and Papy would have appreciated Josky's musical support in a emotional sense. Mehida would work very well because I felt there was a little off balance between the harmonies. I felt this song was a more of a two part choir part. One person who would have improved this song would have been Papy Tex. Josky and Papy Tex would have made the song more complete also Papy's high singing was very good usually. Coco qui est la would also be very good because Papy Tex would have made his own twist in this romantic hit. This song is in fact like hide and seek. I know that Papy Tex was known for this in his love songs. Then add Josky's voice with Papy, you are talking two men who effectively can sing this Grand Kalle song with more convincing. 

Josky and Papy Tex would have been a great musical duo for a nzonzing project especially with the songs Aideu Leya, Mehida and Coco qui est la. 

Dream Duet: Felix Wazekwa and Josky Kiambukuta (JOSKY TRIBUTE)

 

This is Josky tribute time. We lost a great singer who was sick but not sick enough where he was near it. So we will do a Dream Duet edition in tribute to Josky. This singer used to be a songwriter for Koffi Olomide and Papa Wemba. 

I am speaking of Felix Wazekwa. He is the one known for songwriting before becoming a singer with his own band Culture A Pays Vie. Felix Wazekwa is a second voice type of singer but he can also sing high whenever he sees fit. He did it earlier with Bozi Boziana and Tabu Ley. I am talking before he formed his band Culture A Pays Vie. His three solo albums that are excellent to hear and I can dance to any day in anytime. Classic albums. Josky would have been a good addition also the earlier classic works of Felix Wazekwa. 

In fact I have three songs that would have been perfect for the pairing between Felix Wazekwa and Josky Kiambukuta. 

Song one BLEU D'ESPERANCE 

Song two EZA VERBE 

Song three BOKONO 

These three songs would have been better with addition of the voice of Josky Kiambukuta. Why you ask? Especially on the Felix repition or double singing, it would have been good with a voice of Josky. Because Josky can allow Felix to sing a bit higher or have a better sound on the songs especially the song Bokono. Josky would have added a brash sound with Felix's soft voice. 

There is no doubt in my mind that Felix Wazekwa would have been very good with Josky musically. 

Dream Duet: Djenga Esperant Kisangani and Josky Kiambukuta (JOSKY TRIBUTE)

 

This is Josky tribute time. We lost a great singer who was sick but not sick enough where he was near it. So we will do a Dream Duet edition in tribute to Josky. This singer was a singer that came from Viva La Musica. 

He is Djenga Esperant Kisangani. He started out as a member of Viva La Musica from Papa Wemba. He then was a singer of Langa Langa Stars and then went solo before briefly returning as a member of Viva La Musica. He always managed to make some good nzonzing records. 

One shocking thing is that Esperant and Josky never sung together. Josky sung with Papa Wemba but never sang with Esperant. One reason is that these men should have sung together is that Esperant has a similar tone to Sam Mangwana. When I listen to Esperant, I get a little reminder of lighter version of Sam Mangwana. That is why Josky and Esperant should have sung together. 

Also there is a Esperant record that I posted that is a great song.  It would have been much better if a Josky voice had sung along with Esperant. Here is the song that I am alluding to. 

This song is called Seringue. It is a great song where Esperant sung very well and his triple singing was solid. But I know the song would have been done if Josky had added his vocals to the song. 

Rest in peace to these great singers. 

Dream Duet: Josky Kiambukuta and Nzaya Nzayadio (JOSKY TRIBUTE)

 

This the Josky tribute time. We lost a great singer who was sick but not sick enough where he was near it. So we will do a Dream Duet edition in tribute to Josky. I got the first singer who also passed away in the month or two before Josky. 

He is Nzaya Nzayadio. For those who don't know, Nzaya Nzayadio was a major member of Lipua Lipua. He was also a member of Choc Stars. He is known to have a similar voice to Pepe Kalle. This man had a opera sounding voice as a second voice singer.

Why would have he been a perfect dream partner for Josky. I will give you five reasons.

1) Josky is a great harmonist 

2) Nzaya would have been a great fit for the Afrisa or OKJ group

3) Both are connected to Madilu System

4) Rarely had bad songs. Really. 

5) Josky used to have a good high voice. 

Josky was actually pretty good at singing high at time during his prime days in OK Jazz. He actually sang high sometimes during the 1970s and very rarely during the 1980s. He sang high with Madilu on their 1989 LP Destin. He was pretty effective. But Nzaya also sang high occasionally. Both were capable of singing high sometimes which is not always the case for the second voice singers. 

Both of these men were from a similar generation of the Zaiko age. They both rarely had bad songs which is not often for many great artists as well as singers. This is why I believe Josky Kiambukuta and Nzaya Nzayadio would have been a great duo. They both would have great harmonies for the OKJ and Lipua Lipua communities. 

Rest in peace to both men

Josky Kiambukuta 1949-2021

Nzaya Nzayadio 1952-2021 

Josky Kiambukuta: MEMORIAL NOTE for Josky (1949-2021) French

 

Bonjour Josky, 

Vous n'êtes plus avec nous. Vous nous manquez beaucoup. Vous étiez un grand artist congolais. Vous faisiez des grandes contributions musicales pour les groupes l'Africa Fiesta Sukisa de Nico Kasanda alias Dr. Nico et Le TPOK Jazz de Luambo Makiadi alias Franco. Vous faisiez les chansons amoureses qui sont incroyable et memorable pour nous tous. Aujourd'hui, vous nous avez laissé mais nous restons dans cette terre avec les chansons que vous avez produit. Nous avons les chansons des temps de L'Africa Fiesta Sukisa, Le TPOK Jazz et Bana OK. Vous êtes co-fondateur du Bana OK avec le poete Simaro Lutumba. Vous êtes le compositeur des grandes chansons comme Maby, Monzo, Tokabola Sentiment, Missile, Spritus, et plusieurs autres. Ces chansons disent beaucoup de votre talent musical. Ils disent que vous comprenniez la musique bien. Vous aviez beaucoup de sagesse. Plus important, vous aviez un grand coeur et vous voulez un grand orchestre. Malheuresement, vous trouviez les gens qui voulaient vous maltraiter. Ces gens voulaient vous traiter comme un ennemi. C'est triste mais c'est la vie. Heureusement, Dieu vous appelle dans son royaume. Vous restez en paix dans son royaume. Dieu vous donnera la protection et la paix totale. Votre musique sera toujours avec nous dans cette terre. Vous êtes, vous étiez et vous serez toujours un grand artiste Congolais. Nous sommes, nous étions et nous serons avec vous dans nos coeurs. Nous ne vous oublierons jamais parce que vous étiez un artiste véritable. 

AIDEU JOSKY KIAMBUKUTA 

14 FERVIER 1949- 7 MARS 2021 

Josky Kiambukuta: MEMORIAL NOTE for Josky (1949-2021) English

 

Hello Josky, 

We miss you so much. You were a great artist to us. You made great musical contributions to Africa Fiesta Sukisa of Nico Kasanda alias Dr. Nico and Le TPOK Jazz of Luambo Makiadi alias Franco. You were the one who made incredible and memorable love songs for all of us. Today you have left us but we stay here on earth with all the good songs that you produced. From periods of Africa Fiesta Sukisa to Bana OK. Bana OK is your band alongside with late poet Lutumba Simaro Masiya. People need to know that. It was you that founded Bana OK. Without you, perhaps more problems would have risen for everyone. I mean EVERYONE. It was you that saved everyone. You were someone who was selfless and cared about everyone. Unfortunately, there were people that did not appreciate your selflessness and took advantage of your good personality that you had. But don't worry, God has called you home. You are, you were and you always be loved by most of us. We are, we were, and we always appreciate the great art that you left us on this earth. 

GOODBYE JOSKY KIAMBUKUTA 

February 14, 1949- March 7, 2021 

Josky Kiambukuta: MEMORIAL NOTE for Josky (1949-2021) Spanish

Hola Josky, 

Perdemos un gran artista. Eras un gran artista del Congo. La República Democrática del Congo. Tenias un grand contribución por los grupos Africa Fiesta Sukisa de Nico Kasanda alias Dr. Nico y Le TPOK Jazz de Luambo Makiadi alias Franco. Sabemos las canciones amorosas que obtenemos de ti. Eras un artista con un gran corazón. Eras una persona quien quería las bonitas cosas para todo lo mundo. Dicemos todo lo mundo. Eras el individual con los pensamientos del grupo Bana OK con el poeta Lutumba Simaro Masiya. Sino sabemos las malas personas quien tenian un gran detesto contra ti. Sabemos también que ellos querían crear más problemas en tu vida. Ahora, Dios obtiene tu casa en su reino. Te olivaremos jamás y resteras en nuestros corazones. Guardaremos tus canciones todos los dias en public. Seras siempre un gran artista de todos los tiempos.

ADIOS JOSKY KIAMBUKUTA

14 Febrero 1949- 7 Marzo 2021

Dream Album: Lutumba Simaro presents "Ses Grandes Oeuvres"

Hello everyone. I am doing a new serious here with wake of the death of Simaro Lutumba. It is called "Dream Album". Meaning it is a combination of everything into one album. Well I am doing a duo, trio and quartet.

Here would have been my album for Simaro Lutumba. It is called "Ses Grandes Oeuvres". It is a double disc of his great songs that he did. From 1960s to early 1990s. 

Here are the singers 
Pepe Kalle
Carlyto
Djo Mpoyi
Malage de Lugendo
Josky Kiambukuta
Ndombe Opetum
Madilu Systeme
Tabu Ley 
Elba Top A
Lokombe Ntal
Shakembo 
Papa Wemba 


Guitarists 
Diblo Dibala
Papa Noel
Gerry Dialunguna
Sam Ndeke
Simaro Lutumba
Ya Makosso
Lokassa ya Mbongo
Mpudi Decca
Flavien Makabi
Ngouma Lokito 


Disc 1 
Mandola 
Nani Akusindila Muana
Cedou
Coeur Artificiel 
Motema Libanga 
Kadima 

Ti Tokabwana Nakoma Ndoki

Ebale ya Zaire

Mabele 

J Mukengele

Tuba Tuba

Disc 2

Dit Laurence 

Ofela

Ladji

Na Lifelo Bisengo Bizali Te

Mace

Kabongo

Nganda Lopango Batekisa

Mwana Ndeke

Maya (duo version)

Verre Casse

Mbawu Na Ko Recuperer Yo 

Now here comes the credits of the songs and who sings them. 

Disc 1 
Mandola 
Vocales: Djo Mpoyi
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Nani Akusindila Muana
Vocales: Elba Top A, Lokombe Ntal 
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Cedou
Vocales: Elba Top A, Malage de Lugendo, Ndombe Opetum, Papa Wemba 
Guitares: Diblo Dibala, Sam Ndeke, Ya Makosso et Mpudi Decca

Coeur Artificiel 
Vocales: Madilu Systeme 
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Motema Libanga 
Vocales: Carlyto, Ndombe Opetum, Pepe Kalle 
Guitares: Diblo Dibala, Papa Noel, Simaro Lutumba et Flavien Makabi 

Kadima 
Vocales: Tabu Ley 
Guitares: Gerry Dialunguna, Sam Ndeke, Lokassa Ya Mbongo et Ngouma Lokito 

Ti Tokabwana Nakoma Ndoki

Vocales: Djo Mpoyi, Elba Top A, Shakembo 
Guitares: Gerry Dialunguna, Sam Ndeke, Lokassa Ya Mbongo et Ngouma Lokito 

Ebale ya Zaire

Vocales: Djo Mpoyi  
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Mabele 

Vocales: Tabu Ley 
Guitares: Gerry Dialunguna, Sam Ndeke, Lokassa Ya Mbongo et Ngouma Lokito 

J Mukengele

Vocales: Carlyto, Malage De Lugendo, Pepe Kalle, Tabu Ley 

Guitares: Diblo Dibala, Papa Noel, Ya Makosso et Mpudi Decca 

Tuba Tuba

Vocales: Carlyto, Elba Top A, Malage De Lugendo, Pepe Kalle 

Guitares: Diblo Dibala, Papa Noel, Lokassa ya Mbongo et Flavien Makabi 

Disc 2

Dit Laurence 

Vocales: Elba Top A, Josky Kiambukuta, Lokombe Ntal, Shakembo 
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Ofela

Vocales: Josky Kiambukuta, Madilu Systeme, Ndombe Opetum, Papa Wemba 
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Ladji

Vocales: Carlyto, Malage De Lugendo, Pepe Kalle, Tabu Ley 

Guitares: Diblo Dibala, Sam Ndeke, Ya Makosso et Mpudi Decca 

Na Lifelo Bisengo Bizali Te

Vocales: Carlyto, Papa Wemba, Pepe Kalle, Tabu Ley

Guitares: Gerry Dialunguna, Sam Ndeke, Ya Makosso et Ngouma Lokito

Mace

Vocales: Djo Mpoyi, Josky Kiambukuta, Madilu Systeme, Ndombe Opetum
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Kabongo

Vocales: Djo Mpoyi, Josky Kiambukuta, Malage de Lugendo, Ndombe Opetum
Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Nganda Lopango Batekisa

Vocales: Josky Kiambukuta, Madilu Systeme, Shakembo et Tabu Ley 
Guitares: Diblo Dibala, Sam Ndeke, Lokassa ya Mbongo et Mpudi Decca

Mwana Ndeke

Vocales: Carlyto, Madilu Systeme, Malage De Lugendo, Pepe Kalle 

Guitares: Diblo Dibala, Papa Noel, Ya Makosso et Mpudi Decca 

Maya (duo version)
Vocales: Carlyto et Pepe Kalle 

Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Verre Casse
Vocales: Carlyto, Elba Top A, Madilu, Pepe Kalle, Shakembo


Guitares: Gerry Dialunguna, Papa Noel, Simaro Lutumba et Flavien Makabi

Mbawu Na Ko Recuperer Yo 

Vocales: Djo Mpoyi, Josky Kiambukuta, Madilu Systeme, Ndombe Opetum

Guitares: Diblo Dibala, Sam Ndeke, Ya Makosso et Mpudi Decca

Some fans will like it and others will hate it but it is based on what I feel for these songs. Just take a look and make your judgement. 

OK Jazz Fallout: Why it is the fault of Franco, Josky, Madilu and Simaro

I am apologizing for not posting a long time. So many things have happened. I wish I could have posted this earlier. I have had family drama that has been more than bearable and I had little time to do writing since I had to do so many things. Family drama can be so bad.

This leads to this great post right here. 

I have heard over the years of who is the responsible for the end of OK Jazz. Some say that it was Madilu only while others say that it was the only fault of Simaro. Nonsense. It is both Madilu AND Simaro who are responsible for the end of OK Jazz as well as Josky and Franco. 

Franco, Josky, Madilu and Simaro are responsible for the end of job. 

I will start with Madilu System. 
This man was a deeply arrogant man and believed that everyone else was a loser. I always wonder why would Madilu would stay in the band since he wanted to be the boss and he knew that he would have no chance in le TPOK Jazz. He was behaving badly and he was always being a asshole to everyone and he had a tendency to be a douche-bag many      times according to those close to OKJ group. I don't what was Madilu's motive in staying in OKJ when it was clear that he wanted a "free life". Why go continue with a person whom Madilu admitted that he never got along with. Reference to the poet Simaro Lutumba. In fact he was doing more nzingzongs than being part of OK Jazz. Really most OKJ songs were with Ndombe, Djo Mpoyi, Aime Kiwakana and Josky Kiambukuta. Madilu should have left and started his own affair and do something great. 

Madilu System was already a man that was accussed of creating certain rifts between Josky and Ntesa as well as Franco and Simaro. 

By Madilu staying in OKJ was proof that Madilu had a strong shortage of character. He knew that he wanted power and he also understood how much he hated Simaro Lutumba. Yet he wanted to be approved by Simaro. He wanted so badly to be buddies with Simaro when Simaro clearly never liked him but realized what a good use that he could for his songs. 

Madilu wanted so badly to be in Bana OK. Yet Simaro made it clear that he did not want him in Bana OK. Madilu was mad at Simaro for not allowing him in Bana OK. Simaro chose Elba Top A to take his place. 

Simaro Lutumba
This leads to my anger towards Simaro Lutumba. Simaro knew who Madilu was and what a douchebag he was especially since they were family. Madilu's aunt or sister was married to Simaro himself. Her name is Maman Kelani. It is not as if Simaro was not going to have a "reformed Madilu". All the other members knew how Madilu was and Madilu had a fallout with Franco to some degree which was apparently a inspiration to his song Voisin. Furthermore, Madilu had a band with Aime Kiwakana, and Gerry Dialunguna in La Festival du Zaire. It was Simaro who demanded them to comeback to the fold. They did. Simaro should have never done that. Instead, he should grabbed the remaining members and get some new blood from Kamikaze or Brazza bands where he could get some new sound with the phrase "Kilo ya Kinshasa" 

Madilu and Simaro had a beef long before the death of Franco. As Madilu had indicated in a 1999 interview how Madilu felt hurt by Simaro back in the late 1980s. It was clear their problems started in 1988 after their collaboration on the song Tala Merci pona Mbwa. Their hatred for one another only grew after the death of Franco. 

This video pretty much sums the bad blood between Simaro and Madilu. Just look how Josky said Madilu's name twice and said Simaro's name only once. It was clear to some degree that Simaro was bothered by this. 

It was clear who the members were more comfortable with. They preferred the egoist man Madilu than the shy man Simaro. I am sure Simaro was deeply bothered by this. This did not help matters when Madilu was invited for a show in France in 1993 which was the reason why Simaro decided to suspend Madilu for three months before he created Bana OK which Simaro did not allow Madilu in at all. Madilu's recount on what happened was pretty much confirmed by Simaro himself in a certain phrase. 

To finally to put a nail on the coffin, it was Simaro's idea to make Madilu the second vice president. More fuel to the fire. The first vice president and vice president of Bana OK would be Josky Kiambukuta. 

Josky Kiambukuta
Which leads me to this man. He is a great singer and a great talent and I love how he sang his classic songs. But as far a leader, he deserve some blame too. He made no attempt to try to be the middle man. 

I only say this because I saw this interview which he speaks on his career and how he separated with Lutumba. 

Then I look and wonder why could have Josky be the middle man. If there was one person both Simaro and Madilu loved was Josky Kiambukuta. In a sense, Josky should have been the leader. He was the one that everyone loved. Look at his album Serrer Serrer. It had big success. It was clear that Josky was a beloved man. It was noted that Madilu often referred Josky as a "special individual". 

I blame Josky for this too. He was complicit. He could have found a way to keep the tension from getting so big. Because Simaro and Madilu did not like each other and Josky could have found resolutions to keep them from getting at eachother's throats. But he was indifferent and just let his ego get the best of him with having lots of fun as "the star". As result, Josky, Madilu and Simaro trio ended in 1994. But there is one person who deserve the blame too. 

Franco
Franco deserve some fault too. I know he died 5 years before OKJ ended but he is not faultless in this too. I never wanted to blame because he was gone. But then I took another look and realized that Franco deserve some harsh criticism. 

This 1985 interview gives me a reason to look at Franco and wonder "WHY"

That interview, Franco attacked Lutumba Simaro and Ntesa Dialenst for their "nzingzong" work. It was clear that Franco hated nzingzong with strong passion. In fact he made it clear when he said this "They know that I like to have food while they go eating." 

This made me look at Franco again. Then I remember I did a post about 2 or 3 years ago about Franco about his "major gaffs". Two of them were Arrival of Madilu and Simaro being vice president. They go hand to hand. 

Franco already knew that Simaro was a big fan of nzingzong. 1985 was not the only time that he did this. He also did it in 1971 when OKJ was going through a unfortunate change when Vicky Longomba left the band for creation of his own band which ironically gave a Franco soukouss impersonator Syran Mbenza. 

That same year of the nzingzong was when Franco gave Simaro the role as vice president. Bad idea. I stand by this. Because of the 1985 interview that Franco gave. It was proof that Franco made a major error giving Simaro the vice president role. It was clear that there was bad blood between Franco and Simaro during the period. 

Seeing that makes me wonder "Why would you give something big to someone whom you knew would do one thing that you really hate". 

Also by bringing Madilu into OKJ, you brought in drama. Madilu came from Afrisa of Tabu Ley. Madilu had a big diva personality. Franco had a huge addiction with Pepe Kalle's voice and he wanted Pepe Kalle to be even a member of OK Jazz but Pepe Kalle said no. So he decided to look someone who sounded close enough to Pepe Kalle. He quickly realized that was Madilu. But Madilu's personality would in fact create a rift between Josky Kiambukuta and Ntesa Dalienst so much that they would not sing in eachother's songs. Franco was unable to get Josky, Madilu and Ntesa to become the main frontmen of OKJ. His inability to get these men get along is part of proof of having Madilu in Le TPOK Jazz was a bad idea. Madilu spoke a little about this here.

Also getting Simaro and Madilu together was a bad idea because Simaro was a shy and Madilu was a egoist man. This is a horrible mix and you just get pain. Franco should have had a meeting to get these men to get along but he did not and it created a bad blood that never recovered. 

Final nail on the coffin was that Manzenza who was Franco's manager, said that he wanted OKJ to run without him when he is longer alive. 

Franco should have had a tough talk with Simaro, Josky and Madilu and tell them how he would like them to do OKJ as well with his family to deal with business dealings so OKJ could have continued well. Franco clearly did not do that and he deserve some harsh for some of the situations that occured later in the early 1990s. 

Regardless, I am happy that we had Franco, Josky, Madilu and Simaro in the same band for some time. Somethings should have been handled differently. 

Dream Trio: Josky, Nyboma, Youlou

Photo of someone else 

I am so surprised that this trio had never happened but it probably never will because of these men's ages and health conditions but if they were so well, I think this trio would have been amazing. 

I am speaking of Josky, Nyboma and Youlou Mabiala. Josky Kiambukuta alongside Nyboma and Youlou. 

These men would be the TRIO that Congolese people would enjoy to hear. I mean after all, Nyboma could almost sing with anybody and in fact he has. Think of Pepe Kalle, Madilu, Soki Vangu, Koffi Olomide, Papa Wemba, Wuta Mayi and others. 

Now Nyboma did sing with Josky and Youlou Mabiala but never together. Nyboma sang on Josky's Oui Ca Va (2003) and Double Vie (2005) and Nyboma had sung with Youlou on Mose Sengo's classic 1995 Hello Hello and had sung with him during the Somo Somo era which also included Mose Sengo AGAIN. 

Now I think if there was a trio that should have been formed was this one. WHY? Because these men would have been perfect together in a trio ship. Remember the common theme? These men are diverse with their voices. So they can go high or low, and they would sound perfect together. That diversity is why I believe these men would have been a great trio. That would make this trio more credible than other trios together. 

It would have been the TRIO that was going to be classic. Josky, Nyboma and Youlou Mabiala. 

Dream Trio: Franco, Josky, Pepe Kalle

I got to make some great trio dream that should have happened during the 1980s era.

It is Luambo Makiadi Pene Okundji alias Franco, Josky Kiambukuta and Jean Kabasele Yampanya alias Pepe Kalle. 

Franco and Josky should have added Pepe Kalle's voice into their album Missile. It would have been a blast in my opinion. 

Because I notice that Josky was wanting another singer alongside him when he sang those songs. He sang in double voices in most of those songs. My belief that this album would have been better with Pepe Kalle. 

Pepe Kalle is diverse with his voice and like Josky, can go high or low, it will sound good regardless. Pepe Kalle's high voice is impressive for a man who is usually baritone. 

Also Franco and Josky should have done another project with Pepe Kalle where they could have done some Empire Bakuba like songs and OKJ and Afrisa type of songs to appeal not only to youth but the elders as well. 

Pepe Kalle was one of the few from the Soukous age who could somewhat appeal to the elder audience. After all he sounded a bit like Tabu Ley during his early days.

Also it was no secret that Franco was addicted to Pepe Kalle's voice. Amazingly one song of OKJ, Franco almost sounded like Pepe Kalle. 

Franco and Pepe Kalle would have sounded perfect with a voice of Josky in a Franco song where it was a trio type of song. 

I got one song in particular that would have fitted Franco, Josky and Pepe Kalle together. TEMPS MORT

There is another song that would have fitted Franco well with Josky and Pepe Kalle 
EBEMBE YA SOSO 
Ebembe ya Soso par Pepe Kalle

It would have been a great thing if this trio had occurred during the 1980s era. It would have been a great gap between the elders and the youth.